Lars and the Real Girl, which we saw at a mainstream movie theater in Lansing (which is both great and very unfortunate, is in contention to be one of the best movies of 2007. While it was nice to not have to drive an hour away to see the film (which we had to do to see The Darjeeling Limited and then were kind of screwed out of seeing the short film Hotel Chevalier), seeing it with members of the Lansing community proved difficult. There were a couple of groups of people there (one consisting of pre-teen girls, who I'm guessing still have their copy of The Notebook in their DVD players) who did not understand what this movie was. Like the films of Wes Anderson, Lars and the Real Girl is hard to classify genre-wise and ends up being called a comedy. Some of our fellow audience members clung to that tag and laughed throughout the film, even after it became obvious that this movie isn't a gimmick and doesn't have a schtick. While thoughtful movie-goers were pulled into the story and humanity of this carefully-put together, delicate, deeply compassionate, and magnanimous movie, others were still caught on the one-line premise: a man dates a doll. Everything about this movie was wonderful--directing, writing, and acting (from the whole cast). What's even more wonderful is that it is a jumping-off point for a great post-movie conversation. One is left ruminating over many questions, which is not to say that the film doesn't leave one satisfied--it very much does. I would suggest running out to see this one, but maybe it's best left viewed without the kids who got lost on their way to go see The Game Plan.
11.07.2007
Rock A Little
Lars and the Real Girl, which we saw at a mainstream movie theater in Lansing (which is both great and very unfortunate, is in contention to be one of the best movies of 2007. While it was nice to not have to drive an hour away to see the film (which we had to do to see The Darjeeling Limited and then were kind of screwed out of seeing the short film Hotel Chevalier), seeing it with members of the Lansing community proved difficult. There were a couple of groups of people there (one consisting of pre-teen girls, who I'm guessing still have their copy of The Notebook in their DVD players) who did not understand what this movie was. Like the films of Wes Anderson, Lars and the Real Girl is hard to classify genre-wise and ends up being called a comedy. Some of our fellow audience members clung to that tag and laughed throughout the film, even after it became obvious that this movie isn't a gimmick and doesn't have a schtick. While thoughtful movie-goers were pulled into the story and humanity of this carefully-put together, delicate, deeply compassionate, and magnanimous movie, others were still caught on the one-line premise: a man dates a doll. Everything about this movie was wonderful--directing, writing, and acting (from the whole cast). What's even more wonderful is that it is a jumping-off point for a great post-movie conversation. One is left ruminating over many questions, which is not to say that the film doesn't leave one satisfied--it very much does. I would suggest running out to see this one, but maybe it's best left viewed without the kids who got lost on their way to go see The Game Plan.
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